PERFORMANCE BY JOÃO MARTINS
In a recent lecture in Stockholm, philosopher and psychoanalyst, Julia Kristeva initiated her speech by asking herself and the audience how was it possible to dance when God is dead. Following this utterance, I decided to reformulate such question utilizing a found idea by Karl Marx: How is it possible to dance once money is already dancing for you?
Dance of the crisis is a performance-reaction to the current multifaceted crisis affecting Europe and myself, emphasizing financial and choreographic speculation over notions of movement and stillness in approximately 7 parts, such as:
1. i would prefer not to dance;
2. money dances for you;
3. is money money or isn‘t money money?;
4. talking is dancing;
5. is dance dance or isn‘t dance dance?;
6. move! choreographying me;
7. dance is hard to see.
Sat, Jan 12th, 6 PM
Academy of Fine Arts Vienna, Room M13 (Mezzanin)
FB
hosted by: Freie Klasse
In a recent lecture in Stockholm, philosopher and psychoanalyst, Julia Kristeva initiated her speech by asking herself and the audience how was it possible to dance when God is dead. Following this utterance, I decided to reformulate such question utilizing a found idea by Karl Marx: How is it possible to dance once money is already dancing for you?
Dance of the crisis is a performance-reaction to the current multifaceted crisis affecting Europe and myself, emphasizing financial and choreographic speculation over notions of movement and stillness in approximately 7 parts, such as:
1. i would prefer not to dance;
2. money dances for you;
3. is money money or isn‘t money money?;
4. talking is dancing;
5. is dance dance or isn‘t dance dance?;
6. move! choreographying me;
7. dance is hard to see.
Sat, Jan 12th, 6 PM
Academy of Fine Arts Vienna, Room M13 (Mezzanin)
FB
hosted by: Freie Klasse
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